Publicly funded gallery 'turning its back on art'

Aled Scourfield
BBC News
BBC An aerial shot of Oriel y Parc, St Davids. The building is in a crescent shape, with a large curved grey roof and pillars running around its entrance. It faces into a rounded courtyard with a patch of grass and large rocks in the middle.BBC
Oriel y Parc in St Davids was opened in 2008 and cost £3.5m

A publicly funded gallery designed to showcase the work of one of the finest British painters of the 20th Century has been accused of turning its back on art.

Oriel y Parc landscape gallery in St Davids, Pembrokeshire, cost £3.5m and was opened in 2008 by Pembrokeshire Coast National Park Authority, with the help of £1.6m in European funding.

Campaigners have accused the authority of "wasting money" by not holding any fine art exhibitions there in recent years and rebranding it as a "discovery centre".

The park authority said it wanted to develop a "clear and lasting vision" to "meet the needs of future audiences".

A black and white portrait of Graham Sutherland. His pair is parted to the side and he is wearing a white shirt and cravat. He is standing in front of a grand building with stone columns and a statue of a woman outside, with a curved window.
Graham Sutherland, who frequently visited Pembrokeshire, left a number of paintings to the Welsh nation

Oriel y Parc, which was described as a partnership between the park authority and Museum Wales when it opened in 2008, was designed to offer a "permanent home" for rotating exhibitions of artist Graham Sutherland's paintings and "treasures from the collections" of the national museum.

The gallery is classed as Grade A1, meaning it has the necessary environmental controls and security to house major works of art.

Sutherland, who died in 1980, was considered the "finest British painter of his generation", mixing with the likes of Pablo Picasso and Francis Bacon.

His artwork was purchased by stars such as Sophia Loren and David Bowie and is on display in the Vatican Museum and Coventry Cathedral, while his official portrait of Sir Winston Churchill caused a storm when it was destroyed by Churchill's widow.

Getty Images An unfinished portrait of Winston Churchill is pictured behind Graham Sutherland, showing Churchill's body but no head. Sutherland has dark combed back hair and is wearing a gingham shirt and a black jumper.Getty Images
Sutherland pictured with his unfinished portrait of Winston Churchill in 1954

Works by Sutherland, as well as other prominent artists including John Constable, John Piper and JMW Turner, have all been displayed at Oriel y Parc since it opened 17 years ago.

But there have been no major fine art exhibitions at Oriel y Parc since 2018, and no works by Sutherland have been displayed since 2020.

The Sutherland works are currently being looked after by Museum Wales.

Local artists fear the gallery space - which is currently hosting an exhibition on the 200th anniversary of the RNLI - is being "downgraded" and have written to Culture Minister Jack Sargeant with concerns the authority is turning "its back on art".

RNLI exhibition at Oriel y Parc. Blue posters line the wall with a historic sail hanging on another. There is a mannequin wearing an orange lifejacket and waterproof while objects are arranged on a display cabinet including a helmet. An orange lifeboat can just be seen behind the cabinet.
Oriel y Parc is currently hosting an exhibition on the 200th anniversary of the RNLI

"I get the feeling that art might be being viewed as elitist and not for everybody," said artist Nicola Schoenenberger, who is one of the campaigners.

"I feel that might be down to their lack of knowledge about what art can do and what it offers. I think there are a lot of people locally that revere Graham Sutherland, and would like to see the works back.

"It's a complete waste of something that is a very special gem, a jewel in St Davids' crown."

Nicola Schoenenberger from Solva is wearing a brown apron over a blue striped shirt. She has brown hair reaching her chin. Nicola is sitting by a desk with tubes of paint on it as well as large piece of paper, a phone, a book titled 'Graham Sutherland, An Unfinished Work' and a green crate of paperwork. A shelf full of notebooks hangs above the desk.
Artist Nicola Schoenenberger from Solva has raised concerned with the Welsh government about Oriel y Parc

Art historian Peter Lord said Wales "cannot afford to waste a fantastic public resource" like Oriel y Parc.

"We've all paid for it, and those are our pictures," he said.

"The Sutherland family left them to us, and we need to see them.

"If those two important public institutions, the national park and the museum, can't sort this out between them, then I really feel the minister ought to be involved and bang some heads together."

Elizabeth Haines standing beside multiple pieces of abstract art attached to a board. Her white hair is tied back, and she is wearing glasses, a blue, purple and yellow scarf and a light green shirt. A large landscape painting is attached to the board to her left, while a desk full of small paint pots can be seen behind Elizabeth.
Artist Elizabeth Haines said budding young painters benefited from seeing major works of art

Artist Elizabeth Haines, who has hosted art workshops with local school pupils, said they felt "more connected" to art after seeing paintings in the gallery.

"To have the opportunity for that kind of interaction with young people, to have it as a part of their education, I think we agree would be enormously important.

"Are we just going to throw it away? The place is there. It's done, it's paid for.

"I'm afraid these people don't realise, they can't realise, that it matters. The visual arts are not just something nice that goes with the curtains. "

'Very popular exhibitions'

Tegryn Jones, chief executive of Pembrokeshire Coast National Park Authority, denied the facility was being "wasted".

"I don't agree that hosting the national collection of Wales, in its wider sense, is wasting this resource," he said.

"We've had very popular and significant exhibitions that have attracted tens of thousands of people. Our aim is to have a wide cross section of people visiting the gallery."

More than 40,000 visited the gallery at Oriel y Parc in 2015-16 when a painting by Constable was on display, but numbers dipped to about 20,000 last year.

A stone arch entrance to Oriel y Parc. Above the arch is a sign that reads 'National Park Visitor Centre' in blue writing.  Beyond, stone pillars and its rounded courtyard can be seen with a row of bunting with the Welsh dragon is just visible.
The chief executive of Pembrokeshire Coast National Park Authority denied the gallery was being "wasted"

Pembrokeshire Coast National Park Authority said it had "developed a hugely successful programme of exhibitions in partnership with Amgueddfa Cymru [Museum Wales] over the years".

"As an authority we are committed to developing a clear and lasting vision for Oriel y Parc to ensure that it meets the needs of future audiences and builds on the success of the centre over the past 17 years.

"As part of a wider master plan process, we are currently consulting with all interested parties to shape the future of this well-used and respected visitor facility."

Museum Wales said it continued to work jointly with Oriel y Parc and "all galleries and venues must evolve in order to respond to changing audience requirements".

"Should Oriel y Parc decided that it wishes to include the work of Graham Sutherland in future displays, this is something we would be happy to deliver."

The Welsh government declined to comment.